Archive for ‘anthropology’

September 19, 2012

ashta siddhi vinayaka ……..

Anima, Lagima, Mahima,Garima, Praptika, Prakamaya, Isitva, Visitva
The Asthasiddhis – eight siddhis of Sri Maha Ganadhipati Ganesha also called as Siddhi Vinayaka, in one of the Raja Ravi Verma’s paintings these siddhis are depicted as eight women surrounding Lord Ganesha.

Siddhi is a Sanskrit word that literally means accomplishment, Siddhis can occur in two ways, naturally, or as a result of extended practice of austerities. the ways to obtain the siddhis are Devotion, Pranayama, Meditation, Control of senses, Herbs, Mantras, etc

Nine main Siddhis are: 

  • Parkaya Pravesha: Ability to enter some other body and to bring back any dead body with life.
  • Haadi Vidya: Ability to stay without nourishment for a long time.
  • Kaadi Vidya: Ability to withstand adverse climatic conditions like extreme cold or blazing fires, for him/her the surrounding will remain ambient.
  • Vayu Gaman Siddhi: Ability to fly with body and move from place to place with in a flash of thought.
  •  Madalasa Vidya: Ability to change the size of ones body, like Lord.
  • Kanakdhara Siddhi: Ability to acquire immense wealth.
  • Prakya Sadhana: Ability to direct a soul or spirit to take birth from the womb of a barren woman.
  • Surya Vigyan: Ability to transform one substance into another using Sun rays.
  • Mrit Sanjeevani Vidya: This Vidya invented by Guru Shukracharya. Ability to bring a dead person back to life.
April 14, 2012

Hanuman, Wagner and Wartime music

Ustad Ali Akbar Khan’s disciple, Rajeev Taranath once told journalist Renuka Narayan an interesting story behind the name of the Raga ‘Lankadahan Sarang’.

It is interesting to believe that Hanuman had played a new Saranga based raga immediately after setting the city of Lanka under fire?

Renuka Narayan writes:

“Just as old Hindu temples each have a sthala puranam, or founding legend, most classical ragas have an ‘aithihyam’ or creation history. This raga’s aithihyam is that after Sri Hanuman set fire to Lanka, he fell into a mood of great embarrassment at having behaved so wildly, that too with Devi Sita in the vicinity. Since he was a highly educated and divinely gifted person, he was moved to express his remorse through the composition of a somberly beautiful raga, full of reflection and tranquility. ‘Lankadahan Sarang’ means ‘The Sarang Scale Composed After the Burning of Lanka’”

Please listen to Ustad Ali Akbar Khan rendering Raga ‘Lankadahan Sarang’

http://www.youtube.com/watch?v=q_mKZqmY8vY

compare it with  Richard Wagner’s composition ‘Ride of the Valkyries’ which has been widely used in war time newsreels and in many Hollywood film war scenes including in the the air bombing sequence Apocalypse Now, the 1979 film based on Vietnam war.

What role music has been playing vis-a-vis war?

http://www.youtube.com/watch?v=SNq4n6wC5ms&feature=related

(many thanks Gopalakrishnan)

Tags:
Wonder, silence, gratitude

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one who is going upstream ......

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